XII The Nineteenth Century: The Romantic Period
Identifieur interne : 000773 ( Main/Exploration ); précédent : 000772; suivant : 000774XII The Nineteenth Century: The Romantic Period
Auteurs : Carl Thompson ; Daniel Sanjiv Roberts ; Aled Ganobcsik-Williams ; Sarah Wootton ; Jason Whittaker ; Emma Mason ; Amy MuseSource :
- The Year's Work in English Studies [ 0084-4144 ] ; 2004.
Descripteurs français
- Wicri :
- topic : Identité culturelle.
English descriptors
- KwdEn :
- Aesthetic education, Aesthetics, Ancient mariner, Anna laetitia barbauld, Archive, Austen, Bahar, Baillie, Barbauld, Beachy head, Blake, Blake scholars, Brewer, British romanticism, British society, Broad range, Byronic, Cambridge companion, Canonical, Castle rackrent, Charles maturin, Charlotte smith, Childe pilgrimage, Clare, Colb, Coleridge, Coleridge bulletin, Craciun, Critical attention, Critical reception, Critique, Cultural identity, Daniel sanjiv roberts, Dickinson, Different ways, Discursive, Dorothy wordsworth, Edgeworth, Edinburgh, Edinburgh review, Emily dickinson, English literature, Enlightenment, Fatal women, Female characters, Female writers, Feminism, Feminist, Final chapter, First chapter, First essay, First part, First place, First section, First time, Frankenstein, French revolution, Fulford, Gender, General reader, Genre, German romanticism, Gilroy, Gothic, Gothic novel, Gothic writers, Great britain, Grenby, Hannah, Hemans, Historical difference, Historical fiction, Historicism, Historicist, Human nature, Hutchings, Imperfect histories, Inner life, Isbn, Jane austen, Jane stabler, Jason whittaker, Jeffrey, Joanna, Joanna baillie, John clare, John keats, Jonathan wordsworth, Joseph viscomi, Keats, Landon, Leigh hunt, Linguistic transformations, Literary history, Literary life, Literary style, Literary text, Lyrical ballads, Mansfield, Mansfield park, Maria edgeworth, Mary frankenstein, Mary hays, Mary robinson, Mary shelley, Mary wollstonecraft, Masculinity, Mellor, Millenarianism, Modern greece, More detail, Morris eaves, Much attention, National tale, Natural philosophy, Night thoughts, Nineteenth century, Notebook, Paley, Palgrave, Political organization, Political reality, Political works, Print culture, Prophetic, Prophetic character, Prose fiction, Quincey, Radical blake, Real life, Revolutionary ireland, Romantic, Romantic aesthetics, Romantic historicism, Romantic imagination, Romantic literature, Romantic medievalism, Romantic novel, Romantic period, Romantic poetry, Romantic prophecy, Romantic studies, Romantic texts, Romantic women writers, Romantic writers, Romanticism, Same time, Samuel taylor coleridge, Scientific theories, Scottish enlightenment, Seamus, Sonnet, Special issue, Stabler, Textual, Tintern, Tintern abbey, Twentieth century, Viscomi, Walford, Walford davies, Walter scott, Wild irish girl, William blake, William caleb williams, William godwin, William wordsworth, Wolfson, Wollstonecraft, Women poets, Women writers, Wordsworth, Wordsworth circle, Wordsworth criticism, Xiii, Xviii, Young philosopher.
- Teeft :
- Aesthetic education, Aesthetics, Ancient mariner, Anna laetitia barbauld, Archive, Austen, Bahar, Baillie, Barbauld, Beachy head, Blake, Blake scholars, Brewer, British romanticism, British society, Broad range, Byronic, Cambridge companion, Canonical, Castle rackrent, Charles maturin, Charlotte smith, Childe pilgrimage, Clare, Colb, Coleridge, Coleridge bulletin, Craciun, Critical attention, Critical reception, Critique, Cultural identity, Daniel sanjiv roberts, Dickinson, Different ways, Discursive, Dorothy wordsworth, Edgeworth, Edinburgh, Edinburgh review, Emily dickinson, English literature, Enlightenment, Fatal women, Female characters, Female writers, Feminism, Feminist, Final chapter, First chapter, First essay, First part, First place, First section, First time, Frankenstein, French revolution, Fulford, Gender, General reader, Genre, German romanticism, Gilroy, Gothic, Gothic novel, Gothic writers, Great britain, Grenby, Hannah, Hemans, Historical difference, Historical fiction, Historicism, Historicist, Human nature, Hutchings, Imperfect histories, Inner life, Isbn, Jane austen, Jane stabler, Jason whittaker, Jeffrey, Joanna, Joanna baillie, John clare, John keats, Jonathan wordsworth, Joseph viscomi, Keats, Landon, Leigh hunt, Linguistic transformations, Literary history, Literary life, Literary style, Literary text, Lyrical ballads, Mansfield, Mansfield park, Maria edgeworth, Mary frankenstein, Mary hays, Mary robinson, Mary shelley, Mary wollstonecraft, Masculinity, Mellor, Millenarianism, Modern greece, More detail, Morris eaves, Much attention, National tale, Natural philosophy, Night thoughts, Nineteenth century, Notebook, Paley, Palgrave, Political organization, Political reality, Political works, Print culture, Prophetic, Prophetic character, Prose fiction, Quincey, Radical blake, Real life, Revolutionary ireland, Romantic, Romantic aesthetics, Romantic historicism, Romantic imagination, Romantic literature, Romantic medievalism, Romantic novel, Romantic period, Romantic poetry, Romantic prophecy, Romantic studies, Romantic texts, Romantic women writers, Romantic writers, Romanticism, Same time, Samuel taylor coleridge, Scientific theories, Scottish enlightenment, Seamus, Sonnet, Special issue, Stabler, Textual, Tintern, Tintern abbey, Twentieth century, Viscomi, Walford, Walford davies, Walter scott, Wild irish girl, William blake, William caleb williams, William godwin, William wordsworth, Wolfson, Wollstonecraft, Women poets, Women writers, Wordsworth, Wordsworth circle, Wordsworth criticism, Xiii, Xviii, Young philosopher.
Abstract
This chapter has seven sections: 1. General; 2. Non-Fictional Prose; 3. Prose Fiction; 4. Poetry; 5. Blake; 6. Women Romantic Writers; 7. Drama. Section 1 is by Carl Thompson; section 2 is by Daniel Sanjiv Roberts; section 3 is by Aled Ganobcsik-Williams; section 4 is by Sarah Wootton; section 5 is by Jason Whittaker; section 6 is by Emma Mason; section 7 is by Amy Muse.
Url:
DOI: 10.1093/ywes/mah012
Affiliations:
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<term>Archive</term>
<term>Austen</term>
<term>Bahar</term>
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<term>Castle rackrent</term>
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<term>Lyrical ballads</term>
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<term>Mansfield park</term>
<term>Maria edgeworth</term>
<term>Mary frankenstein</term>
<term>Mary hays</term>
<term>Mary robinson</term>
<term>Mary shelley</term>
<term>Mary wollstonecraft</term>
<term>Masculinity</term>
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<term>Textual</term>
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<term>Austen</term>
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<term>British romanticism</term>
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<term>Charlotte smith</term>
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<term>Clare</term>
<term>Colb</term>
<term>Coleridge</term>
<term>Coleridge bulletin</term>
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<term>Critical attention</term>
<term>Critical reception</term>
<term>Critique</term>
<term>Cultural identity</term>
<term>Daniel sanjiv roberts</term>
<term>Dickinson</term>
<term>Different ways</term>
<term>Discursive</term>
<term>Dorothy wordsworth</term>
<term>Edgeworth</term>
<term>Edinburgh</term>
<term>Edinburgh review</term>
<term>Emily dickinson</term>
<term>English literature</term>
<term>Enlightenment</term>
<term>Fatal women</term>
<term>Female characters</term>
<term>Female writers</term>
<term>Feminism</term>
<term>Feminist</term>
<term>Final chapter</term>
<term>First chapter</term>
<term>First essay</term>
<term>First part</term>
<term>First place</term>
<term>First section</term>
<term>First time</term>
<term>Frankenstein</term>
<term>French revolution</term>
<term>Fulford</term>
<term>Gender</term>
<term>General reader</term>
<term>Genre</term>
<term>German romanticism</term>
<term>Gilroy</term>
<term>Gothic</term>
<term>Gothic novel</term>
<term>Gothic writers</term>
<term>Great britain</term>
<term>Grenby</term>
<term>Hannah</term>
<term>Hemans</term>
<term>Historical difference</term>
<term>Historical fiction</term>
<term>Historicism</term>
<term>Historicist</term>
<term>Human nature</term>
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<term>Imperfect histories</term>
<term>Inner life</term>
<term>Isbn</term>
<term>Jane austen</term>
<term>Jane stabler</term>
<term>Jason whittaker</term>
<term>Jeffrey</term>
<term>Joanna</term>
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<term>John clare</term>
<term>John keats</term>
<term>Jonathan wordsworth</term>
<term>Joseph viscomi</term>
<term>Keats</term>
<term>Landon</term>
<term>Leigh hunt</term>
<term>Linguistic transformations</term>
<term>Literary history</term>
<term>Literary life</term>
<term>Literary style</term>
<term>Literary text</term>
<term>Lyrical ballads</term>
<term>Mansfield</term>
<term>Mansfield park</term>
<term>Maria edgeworth</term>
<term>Mary frankenstein</term>
<term>Mary hays</term>
<term>Mary robinson</term>
<term>Mary shelley</term>
<term>Mary wollstonecraft</term>
<term>Masculinity</term>
<term>Mellor</term>
<term>Millenarianism</term>
<term>Modern greece</term>
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<term>Morris eaves</term>
<term>Much attention</term>
<term>National tale</term>
<term>Natural philosophy</term>
<term>Night thoughts</term>
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<term>Notebook</term>
<term>Paley</term>
<term>Palgrave</term>
<term>Political organization</term>
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<term>Political works</term>
<term>Print culture</term>
<term>Prophetic</term>
<term>Prophetic character</term>
<term>Prose fiction</term>
<term>Quincey</term>
<term>Radical blake</term>
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<term>Revolutionary ireland</term>
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<term>Romantic poetry</term>
<term>Romantic prophecy</term>
<term>Romantic studies</term>
<term>Romantic texts</term>
<term>Romantic women writers</term>
<term>Romantic writers</term>
<term>Romanticism</term>
<term>Same time</term>
<term>Samuel taylor coleridge</term>
<term>Scientific theories</term>
<term>Scottish enlightenment</term>
<term>Seamus</term>
<term>Sonnet</term>
<term>Special issue</term>
<term>Stabler</term>
<term>Textual</term>
<term>Tintern</term>
<term>Tintern abbey</term>
<term>Twentieth century</term>
<term>Viscomi</term>
<term>Walford</term>
<term>Walford davies</term>
<term>Walter scott</term>
<term>Wild irish girl</term>
<term>William blake</term>
<term>William caleb williams</term>
<term>William godwin</term>
<term>William wordsworth</term>
<term>Wolfson</term>
<term>Wollstonecraft</term>
<term>Women poets</term>
<term>Women writers</term>
<term>Wordsworth</term>
<term>Wordsworth circle</term>
<term>Wordsworth criticism</term>
<term>Xiii</term>
<term>Xviii</term>
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<front><div type="abstract" xml:lang="en">This chapter has seven sections: 1. General; 2. Non-Fictional Prose; 3. Prose Fiction; 4. Poetry; 5. Blake; 6. Women Romantic Writers; 7. Drama. Section 1 is by Carl Thompson; section 2 is by Daniel Sanjiv Roberts; section 3 is by Aled Ganobcsik-Williams; section 4 is by Sarah Wootton; section 5 is by Jason Whittaker; section 6 is by Emma Mason; section 7 is by Amy Muse.</div>
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